| Issue | Title | |
| Vol 2, No 1 (2022) | “Benjaminism” Without Benjamin: “Enrichment” by Luc Boltanski and Arnaud Esquerre | Abstract PDF (Rus) |
| Denis Skopin | ||
| Vol 3, No 5 (2023) | “Jasper Mall” (2020): Socio-Anthropology and Aesthetics of the Declining Mall | Abstract PDF (Rus) |
| A. Tarasova | ||
| Vol 3, No 3 (2023) | “Melody of the Wild Heart”: Heterotopia of ek-stasis and Acoustic Phenomenology of Limit Experiences | Abstract PDF (Rus) |
| T. Weiser | ||
| Vol 2, No 6 (2022) | “Miraculous Metamorphoses” and “Simple-Minded Tricks”. Performances of the “Ring” by Richard Wagner in Entertainment Culture of Russian Capitals of the Early XX Century | Abstract PDF (Rus) |
| T. Bukina | ||
| Vol 2, No 3 (2022) | “Narratives of Anxiety” and Hidden Ontologies: Anti-vaccination Protest in “Conservative Orthodoxy” and Its Cultural Context | Abstract PDF (Rus) |
| Alexander Panchenko | ||
| Vol 2, No 3 (2022) | “Swallowing the Red Pill”: The Coronavirus Pandemic and the Political Imaginary of Stigmatized Knowledge in the Discourse of the Far-Right | Abstract PDF (Rus) |
| Alexis Chapelan | ||
| Vol 2, No 1 (2022) | “The Feeling That We Are Witnessing the History Is No More.” An Interview With Andrei Zorin | Abstract PDF (Rus) |
| Andrei Zorin, Egor Sokolov | ||
| Vol 3, No 2 (2023) | “The Mind Dipping the Pen in the Ink of Thought”: On the Russian Translation of the Term Potenza and Its Meaning in Giorgio Agamben’s Ontology | Abstract PDF (Rus) |
| D. Farafonova | ||
| Vol 3, No 2 (2023) | “The Music of Being”: a note on a metaphor from Giorgio Agamben’s last volume of Homo Sacer. | Abstract PDF (Rus) |
| O. Goryainov | ||
| Vol 3, No 4 (2023) | “Titanic” as a Cult Film: Demasculinization of Academic Discourses Surrounding on Cult Cinema in the 21st Century | Abstract PDF (Rus) |
| N. Sineokaya | ||
| Vol 2, No 5 (2022) | “What Was the Meaning of This Theatre of Absurdity” Public Shaming Meetings in the Late USSR | Abstract PDF (Rus) |
| S. Stephenson | ||
| Vol 3, No 4 (2023) | “You’re like my own personal brand of heroin”: the film franchise “Twilight” as a cult popular women’s film | Abstract PDF (Rus) |
| E. Bykovskaia | ||
| Vol 1, No 1 (2021) | A Man and the Other. Distance | Abstract PDF (Rus) |
| M. Iampolski | ||
| Vol 3, No 5 (2023) | Access and Boundaries. Mapping Hipsterism | Abstract PDF (Rus) |
| T. Semple | ||
| Vol 1, No 1 (2021) | Accessibility of the Public Sphere and the Agenda of Public Internet Sites Dedicated to the Issues of Blind People | Abstract PDF (Rus) |
| A. Kurlenkova | ||
| Vol 3, No 3 (2023) | Against Optico-Centricity | Abstract PDF (Rus) |
| article Editorial | ||
| Vol 3, No 3 (2023) | Amateur Filmmaking vs the Normativity of Institutions: The Case of the Invisible Film Festival | Abstract PDF (Rus) |
| D. Polikarpova | ||
| Vol 3, No 5 (2023) | An Utterly Dark Spot | Abstract PDF (Rus) |
| M. Bozovic | ||
| Vol 2, No 6 (2022) | Autobiographical Truth or a Figure of Paralipsis? The Rimsky-Korsakov Case | Abstract PDF (Rus) |
| M. Mishchenko | ||
| Vol 2, No 1 (2022) | Balzac: Poetics, Numbers, Money | Abstract PDF (Rus) |
| Francesco Spandri | ||
| Vol 3, No 1 (2023) | Baroque and Cameralism: Towards an Intellectual History of Economic Thinking | Abstract PDF (Rus) |
| D. Raskov | ||
| Vol 2, No 5 (2022) | Calquing within Language and Subject-Calque as Forms of Transhumanist Irresponsibility | Abstract PDF (Rus) |
| I. Rodin | ||
| Vol 3, No 3 (2023) | Cinema or Dance? What Giorgio Agamben’s “Notes on Gesture” are Silent About, and What They (Don’t) Have to Say About Contemporary Film Theory | Abstract PDF (Rus) |
| O. Goryainov | ||
| Vol 3, No 3 (2023) | Cinematic Thought: From Controlling Reflection to Attention/Perception | Abstract PDF (Rus) |
| N. Savchenkova | ||
| Vol 2, No 3 (2022) | Convolute A: Arcades, Magasins de Nouveautés, Sales Clerks | Abstract PDF (Rus) |
| Walter Benjamin | ||
| Vol 2, No 4 (2022) | Convolute B: Fashion | Abstract PDF (Rus) |
| W. Benjamin | ||
| Vol 2, No 6 (2022) | Convolute D: Boredom, Eternal Return | Abstract PDF (Rus) |
| W. Benjamin | ||
| Vol 3, No 2 (2023) | Convolute F: Iron Construction | Abstract PDF (Rus) |
| W. Benjamin | ||
| Vol 3, No 4 (2023) | Convolute G: Exhibitions, Advertising, Granville | Abstract PDF (Rus) |
| W. Benjamin | ||
| Vol 2, No 5 (2022) | Convolute С: Ancient Paris, Catacombs, Demolitions, Decline of Paris | Abstract PDF (Rus) |
| W. Benjamin | ||
| Vol 3, No 5 (2023) | Crafts and Industries | Abstract PDF (Rus) |
| R. Lowie | ||
| Vol 3, No 5 (2023) | Das Passagen-Werk | Abstract PDF (Rus) |
| W. Benjamin | ||
| Vol 2, No 6 (2022) | Dialogues with Pushkin: From Tchaikovsky to Stravinsky and The Rake’s Progress | Abstract PDF (Rus) |
| Ph. R. Bullock | ||
| Vol 3, No 4 (2023) | Digital Capitalism and the Economics of Fandom: The Case of “Hellraiser” Horror Franchise | Abstract PDF (Rus) |
| V. Shpot | ||
| Vol 2, No 6 (2022) | Diva Plavalaguna’s Aria | Abstract PDF (Rus) |
| O. Manulkina | ||
| Vol 2, No 2 (2022) | Drifts and Pernicious Effects of the Quantitative Evaluation of Research: The Misuse of Bibliometrics | Abstract PDF (Rus) |
| Yves Gingras | ||
| Vol 2, No 4 (2022) | Ecocriticism | Abstract PDF (Rus) |
| T. Morton | ||
| Vol 2, No 1 (2022) | Economics and Literature | Abstract PDF (Rus) |
| Bruna Ingrao | ||
| Vol 2, No 1 (2022) | Eternity for Sale: “Enrichment” by Luc Boltanski and Arnaud Esquerre | Abstract PDF (Rus) |
| Ilya Matveev | ||
| Vol 2, No 2 (2022) | Euphemising Politics, or the Literary History of the Esprit | Abstract PDF (Rus) |
| Pavel Arseniev | ||
| Vol 2, No 1 (2022) | Financial Aspects of Relationship Between the Writer and His Editor Through the Correspondence of Ivan Turgenev and Pierre-Jules Hetzel | Abstract PDF (Rus) |
| Polina de Mauny | ||
| Vol 3, No 3 (2023) | Flashforward: The Future is Now | Abstract PDF (Rus) |
| P. Pisters | ||
| Vol 3, No 4 (2023) | Folk Horror: A Subgenre Invented by Scholars | Abstract PDF (Rus) |
| A. Pavlov | ||
| Vol 3, No 1 (2023) | For the Love of Opera | Abstract PDF (Rus) |
| S. Žižek, M. Dolar | ||
| Vol 2, No 4 (2022) | Fragile Landscape. Sacrifice of the Russian land | Abstract PDF (Rus) |
| N. Caprioglio | ||
| Vol 2, No 3 (2022) | From “Trans-” and “Post-nationalism” to “Critical Cosmopolitanism”. Notes on the Controversy Over Nationalism in the Western Academy | Abstract PDF (Rus) |
| Vladimir Malakhov | ||
| Vol 2, No 1 (2022) | From Economy of the Word to Economy of the Image. Distribution of Illustrated Historical Publications in the First Half of the 19th Century | Abstract PDF (Rus) |
| Maria Chernysheva | ||
| Vol 3, No 4 (2023) | From Erotization to Postmodernization: Evolution of the Femme Fatale in American Neo-Noir | Abstract PDF (Rus) |
| O. Shipacheva | ||
| Vol 2, No 2 (2022) | From Literature to Philosophy | Abstract PDF (Rus) |
| Juliana Kaminskaja | ||
| Vol 2, No 2 (2022) | From Philosophy to Literature | Abstract PDF (Rus) |
| Nikita Zagvozdkin | ||
| Vol 2, No 5 (2022) | Great Dates, or How State Policies of Remembrance Construct History | Abstract PDF (Rus) |
| V. Schnirelmann | ||
| Vol 3, No 4 (2023) | Heroine, Avenger, Mother: The Female Vampire in 21st Century American Cinema | Abstract PDF (Rus) |
| S. Benyaminova | ||
| Vol 2, No 5 (2022) | History of the Republican Tradition in Russia | Abstract PDF (Rus) |
| O. Larionov | ||
| Vol 2, No 1 (2022) | How Can Economics and Law Help Literature. Inversion of Utilitarianism in Economic and Legal Poetics | Abstract PDF (Rus) |
| Pierre Bras | ||
| Vol 2, No 2 (2022) | How to Stop Worrying and Start Loving Refereed Journals: Bibliometric Debates | Abstract PDF (Rus) |
| Vyacheslav Danilov, Irina Dudenkova, Artyom Kosmarski, Dmitri Kralechkin, Peter Safronov | ||
| Vol 3, No 4 (2023) | I (Don’t) Feel Ashamed for the Great State. Soviet Reception of Vasily Vereshchagin | Abstract PDF (Rus) |
| M. Chernysheva | ||
| Vol 1, No 1 (2021) | Invisibility: On the Epistemology of Recognition | Abstract PDF (Rus) |
| A. Honneth | ||
| Vol 2, No 1 (2022) | Joseph De Maistre and Money | Abstract PDF (Rus) |
| Marina Pantina | ||
| Vol 1, No 1 (2021) | Labor Camps, Human Well-Being and «Severe Tribe» in Proclamations and Speeches of 1933–1934 | Abstract PDF (Rus) |
| E. Faye | ||
| Vol 2, No 1 (2022) | Literature vs Economics. A Conversation | Abstract PDF (Rus) |
| Jean-Paul Engélibert, Christian Laval | ||
| Vol 3, No 1 (2023) | Louis XIV’s “The City of the Sun” | Abstract PDF (Rus) |
| A. Stepanov | ||
| Vol 1, No 1 (2021) | Matter and Spirit of Esprit: A Model for an Intellectual Magazine | Abstract PDF (Rus) |
| A. Bikbov, Marc-Olivier Padis | ||
| Vol 2, No 4 (2022) | Mechanism, Occultism, the Calculus of Environments: The Perpetual Motion of Soviet Space | Abstract PDF (Rus) |
| Y. Regev | ||
| Vol 2, No 4 (2022) | Models for the New Old Future | Abstract PDF (Rus) |
| N. Fedorova | ||
| Vol 3, No 1 (2023) | Music Drama | Abstract PDF (Rus) |
| T. Adorno | ||
| Vol 2, No 4 (2022) | My Significant Others: Zenita, Susana, Ilanka (Part 2) | Abstract PDF (Rus) |
| S. Boym | ||
| Vol 2, No 3 (2022) | My Significant Others: Zenita, Susana, Ilanka (Part I) | Abstract PDF (Rus) |
| Svetlana Boym | ||
| Vol 2, No 6 (2022) | No, It’s All Wrong! Director’s Theatre in Opera: Fidelity to the Work, Fidelity to the Audience | Abstract PDF (Rus) |
| A. Makarova | ||
| Vol 1, No 1 (2021) | On Heidegger’s Anti-Semitism: The Peter Trawny Affair | Abstract PDF (Rus) |
| R. Wolin | ||
| Vol 3, No 5 (2023) | Panopticon, or, The Inspection House | Abstract PDF (Rus) |
| J. Bentham | ||
| Vol 3, No 3 (2023) | Peering-into as (Dys)Functional Optics: What Gives “Poor” Visibility? | Abstract PDF (Rus) |
| M. Gribova | ||
| Vol 1, No 1 (2021) | Phenomenology and Sociology of the Alien: How the Alienation of the City and the Alienation of People Within the City Are Related | Abstract PDF (Rus) |
| N. Lebedeva | ||
| Vol 1, No 1 (2021) | Philosophers at the Throne: Is It Only Heidegger? | Abstract PDF (Rus) |
| V. Anashvili, V. Mironov | ||
| Vol 2, No 4 (2022) | Positions | Abstract PDF (Rus) |
| G. Garrard | ||
| Vol 3, No 4 (2023) | Reception of Stuart Hall’s Encoding/Decoding Concept in Cinema Studies | Abstract PDF (Rus) |
| A. Platonov | ||
| Vol 3, No 2 (2023) | Reditus into Self-Inflicted Immaturity: Agamben’s Regressions | Abstract PDF (Rus) |
| A. Bielik-Robson | ||
| Vol 2, No 2 (2022) | Science and Its Significant Other: Representing the Humanities in Bibliometric Scholarship | Abstract PDF (Rus) |
| Thomas Franssen, Paul Wouters | ||
| Vol 3, No 1 (2023) | Some Scenes of Intersection Between Psychoanalysis and Opera | Abstract PDF (Rus) |
| V. Mazin | ||
| Vol 2, No 5 (2022) | Soviet Pop Artists in Russian TV Series: Integration of Dramatic Models of Psycho- and Socio-Biography | Abstract PDF (Rus) |
| D. Zhurkova | ||
| Vol 1, No 1 (2021) | Stele of Light in Mexico City: Transparency, Blacking-Out and Separation of the Visible in Modern Mexican Public Art | Abstract PDF (Rus) |
| M. P. Ezcurra | ||
| Vol 2, No 2 (2022) | Stop Evaluating Science: A Historical-Sociological Argument | Abstract PDF (Rus) |
| Olof Hallonsten | ||
| Vol 2, No 5 (2022) | Symptom and Evidence: Feminism as a Form of Psychoanalysis | Abstract PDF (Rus) |
| E. Vivich | ||
| Vol 2, No 6 (2022) | That Obscure Object that Sounds. Metamorphoses of the Composer’s Score in the Opera Industry | Abstract PDF (Rus) |
| N. Dubov | ||
| Vol 2, No 3 (2022) | The Boulevard Angel of History: Towards Walter Benjamin’s Arcades Project | Abstract PDF (Rus) |
| Vera Kotelevskaya | ||
| Vol 3, No 5 (2023) | The Challenge to Philosophy | Abstract PDF (Rus) |
| J. Dewey | ||
| Vol 2, No 4 (2022) | The Dialectics of Seeing: Walter Benjamin and the Arcades Project | Abstract PDF (Rus) |
| S. Buck-Morss | ||
| Vol 2, No 1 (2022) | The Entrepreneur in Literature: The Identity of Fiction | Abstract PDF (Rus) |
| Alexandre Peraud | ||
| Vol 3, No 2 (2023) | The Event of Deactivation and Deactivation of Event | Abstract PDF (Rus) |
| G. Layus | ||
| Vol 3, No 2 (2023) | The I, the Eye, the Voice | Abstract PDF (Rus) |
| G. Agamben | ||
| Vol 3, No 2 (2023) | The Inappropriable: The Landscape | Abstract PDF (Rus) |
| A. Pogrebnyak | ||
| Vol 3, No 3 (2023) | The Invisible Narrator: A Critique of the Opposition of Gaze and Illusion In Dialogue with Jean-Luc Nancy’s “The Evidence of Film” | Abstract PDF (Rus) |
| L. Muravieva | ||
| Vol 2, No 2 (2022) | The McDonaldization of University’s Science in Contemporary Russia | Abstract PDF (Rus) |
| Rustem Vakhitov | ||
| Vol 2, No 6 (2022) | The Middle of the Distance | Abstract PDF (Rus) |
| A. Porfirieva | ||
| Vol 2, No 5 (2022) | The Paranoid Style in Russian Politics | Abstract PDF (Rus) |
| I. Budraitskis | ||
| Vol 3, No 4 (2023) | The Poetics and Politics of American Metacinema in the 1990s | Abstract PDF (Rus) |
| V. Potapova | ||
| Vol 3, No 2 (2023) | The Potency of Thought | Abstract PDF (Rus) |
| G. Agamben | ||
| Vol 1, No 1 (2021) | The Right To Look | Abstract PDF (Rus) |
| N. Mirzoeff | ||
| Vol 2, No 2 (2022) | The Role of Language in Trauerspiel and Tragedy | Abstract PDF (Rus) |
| Walter Benjamin | ||
| Vol 3, No 5 (2023) | The St Petersburg Panoptical Institute or Okhta College of Arts | Abstract PDF (Rus) |
| R. Bartlett | ||
| Vol 3, No 2 (2023) | The Work of Man | Abstract PDF (Rus) |
| G. Agamben | ||
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